C.D. ARNOLD MAMMOTH PRINTS

A DETERMINATION OF SIZE OF THE NEGATIVE
AND A RISKY PRESERVATION ATTEMPT WITH MAMMOTH PLATINUMS

by Thomas Yanul, author. copyright 2006

ARNOLD PAGE ADDENDA

PAGE A - BIG PLATINUM PRINTS

IN DECEMBER OF 2006,  I RECEIVED FOUR MAMMOTH C.D. ARNOLD PRINTS FROM A WOMAN IN PEORIA, ILLINOIS WHO HAD CONTACTED ME EARLIER ABOUT HER PURCHASE OF THE ARNOLD PRINTS,  I SENT HER SOME INFORMATION.  ABOUT A YEAR LATER SHE KINDLY CONTACTED ME ABOUT PURCHASING THE FOUR PRINTS.  A FEW DAYS AGO A LARGE PACKAGE ARRIVED WITH THE FOUR MOUNTED PRINTS. AS IT IS, THEY TURNED OUT TO BE SOME OF ARNOLD'S MAMMOTH CAMERA PRINTS, PLATINUMS.
 AFTER A FEW DAYS OF ADMIRERING THE VERY LARGE VIEW WHICH WERE MOUNTED ON CARDBOARD WITH A SIMILAR CARDBOARD OVERLAY MATT, I DECIDED TO SEE IF I COULD FREE THE PRINT FROM THE DESTRUCTIVE AND BRITTLE CARDBOARD.  THIS PAGE ATTESTS TO THE FORTUNATELY SUCCESFULL ATTEMPT AND THE METHODS USED.  ALTHOUGH I PUT AT RISK A VERY VALUABLE HISTORIC PHOTOGRAPH, SELDOM IF EVER SEEN IN PRIVATE COMMERCE (MOSTKNOWN PRINTS OF THIS SIZE ARE IN MUSEUMS AND PROMINENT LIBRARIEIS)  I DECIDED TO TAKE THE CHANCE TO SEE IF I COULD FREE THE ACTUAL PRINT FROM ITS CARDBOARD ENCAPSULATION.  
I FIRST TRIMMED OFF MOST OF THE APPARENT EXCESS CARDBOARD AROUND THE PRINT.  NEXT I PUT THE UNIT IN A STAINLESS STEEL TRAY AND ADDED ABOUT ONE GALLON OF DISTILLED WATER.  OVER  A PERIOD OF ABOUT 6 HOURS THE CARDBOARD BEGAN TO LIFT AND DISINTEGRATE WHEREBY I COULD LIFT MOST OF IT AWAY FROM THE PRINT. TO MAKE THE STORY SHORTER, WHAT I ENDED UP WITH, AFTER NUMEROUS CHANGES OF WATER TO GET RID OF THE CARDBORD AND DISSOLVED GLUES IN THE WATER, WAS THE PRINT WITH A PAPER BACKING WHICH PROVED TO BE THE MOST DIFFUCULT TO REMOVE.  IT WOULD SEEM THAT THE PLATINUM PRINT WAS GLUED TO THE PAPER, THEN MOUNTED TO THE CARDBOARD.  THE PAPER WAS THE MOST TEDIOUS TO REMOVE. GENTLE FINGER ROLLING ON THE PAPER, MM BY MM WAS THE ONLY APPARENT WAY TO REMOVE THAT FINAL SURFACE.  IN THE END THE PLATINUM PAPER PROVED TO BE RATHER SUBSTANTIAL - AS REGARDS STABILITY - AND ONLY A FEW VERY SMALL SECTIONS OF DAMAGE OCCURED - ALBEIT A RESULT OF MY BEING A BIT OVERLY AGGESSIVE IN TRYING TO GET THE RESIDUE REMOVED.  
AFTER SEVERAL ADDITIONAL SOAKINGS IN DISTILLED WATER,  THE PRINT WAS LAID ON A PIECE OF RAG BOARD FOR DRYING.   IT DRIED RELATIVELY FLAT WITH VERY LITTLE WRINKLING. THE FOLLOWING PHOTOS SHOW METHODOLOGY I USED - CRUDE AS IT WAS.
THE PRINT IS OF THE NEW YORK STATE BUILDING AT THE 1893 CHICAGO COLUMBIAN EXPOSTION - OR THE WORLD'S FAIR OF 1893. ETC, ETC.
INFORMATON GLEANED: THIS PRINTS ACTUAL IMAGE SIZE IS 21 1/4 X 17 3/4".  AND MAKING SOME ASSUMPTIONS ON HIDDEN AREAS FOR HOLDDOWN, I WOULD ASSUME THE ACTUAL GLASS PLATE WAS ON THE ORDER OF 21 3/4" X 18 1/4'. OR THEREABOUTS. (POSSIBLY 22X19")  I CANNOTSAY FOR ABSOLUTE CERTAINTY SINCE I DO NOT HAVE AN ACTUAL CAMERA OR PLATE HE USED TO KNOW WHAT THE HOLDDOWN AREA WAS WITHIN THE PLATE HOLDER. BUT CERTAINLY THIS GIVES A STRONG INDICATION OF NEAR ACTUAL SIZE OF THE PLATE USED AND THE CAMERA.  MOST CAMERAS OF THIS SIZE WERE CUSTOM BUILT BY CABINET MAKERS - WOODWORKERS/TURNED CAMERA MAKERS, AND ACCORDING TO A PHOTOGRAPHER I SPENT MUCH TIME WITH (GEORGE DRUCKER)  WHO BEGAN IN 1903, PLATE MAKERS WOULD MAKE ANY SIZE PLATE YOU WISHED.
 THE PAPER THICKNESS MIC'S OUT TO 5/1000 OF AN INCH.
LEFT - ORIGINAL CONDITION  - RIGHT, IN SOAK STATE
LEFT - CARDBOARD SOAKED OFF   RIGHT - GLUED PAPER REMAINING, ROLLED OFF WITH THUMB.
GLUED PAPER BACKING FINALLY REMOVED. SOAKING IN SEVERAL CHANGES OF DISTILLED WATER TO REMOVE MOST TRACES OF RESIDUEL GLUE. LOWER LEFT DRYING -RIGHT, DONE
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